By Shlomo Greenwald
I’ll admit it. I sometimes choose to read a book based on its cover. I know. I know. I’m breaking a cardinal rule of…well…of life, of one that we’ve all been taught, at least as a metaphor, since pre-school.
Whether the rest of us admit it or not, covers draw our attentions and create the intial impressions we have with books. Which is why I’ve long bemoaned the state of book covers in the Orthodox publishing world. There had always been exceptions, but in general the covers were boring and cookie-cutter.
In the last five to 10 years, though, Jewish book covers have gained some vitality and personality. On this page are a few of the new titles whose covers have won my attention and praise.
After the Holocaust the Bells Still Ring by Rabbi Joseph Polak
Designer Shanie Cooper says:
“The cover of After the Holocaust the Bells Still Ring is comprised of three separate elements: the train tracks and the typewriter-style font, which together evoke the Holocaust experience, and a post-war image of the author as a child with his mother. I gave the mother-son photo visual prominence by superimposing it over the train tracks that fade into the background. This served to illustrate the idea that no matter where the Author went or what he did after he was liberated at age 3 from Bergen-Belsen, the Holocaust was a constant shadow throughout the life of one of the youngest Survivors.”
This originally appeared in The Jewish Press